Skip Navigation

Momme (Shadow), from Momme Portrait series

LaToya Ruby Frazier

Photography

On View: American Art Galleries, 5th Floor, Counterparts
In these photographs, LaToya Ruby Frazier’s intimate depictions of herself and her family simultaneously record the economic decline and social inequities that plague her hometown of Braddock, Pennsylvania, the site of industrialist Andrew Carnegie’s first steel mill. Referencing early-twentieth-century documentary photographers, who worked in black and white, the artist locates herself through familial connections in portraits with her mother and grandmother, the worn image of the smiling Huxtable family on her T-shirt, or the space of one’s childhood home. At the same time, Frazier’s images mark the passage of time by her and her family’s experiences with illness, a reality reminiscent of the heightened health risks faced by many people working and living in the Rust Belt.
MEDIUM Gelatin silver print
DATES 2008
DIMENSIONS sheet: 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm) frame: 24 5/8 x 28 5/8 x 1 1/2 in. (62.5 x 72.7 x 3.8 cm) mount: 24 x 28 in. (61 x 71.1 cm)  (show scale)
COLLECTIONS Photography
ACCESSION NUMBER 2011.63.2
CREDIT LINE Emily Winthrop Miles Fund
MUSEUM LOCATION This item is on view in American Art Galleries, 5th Floor, Counterparts
CAPTION LaToya Ruby Frazier (American, born 1982). Momme (Shadow), from Momme Portrait series, 2008. Gelatin silver print, sheet: 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm). Brooklyn Museum, Emily Winthrop Miles Fund, 2011.63.2. © artist or artist's estate (Photo: Image courtesy of the artist, CUR.2011.63.2_artist_photograph.jpg)
EDITION Edition: 7/8
IMAGE overall, CUR.2011.63.2_artist_photograph.jpg. Image courtesy of the artist
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT ©LaToya Ruby Frazier
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org. If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.