Hanging Structure
Sol LeWitt
Contemporary Art
On View:
Sol LeWitt, active from the 1960s, was a pioneer of Minimalism and Conceptual art. He often worked with simple geometric forms—particularly the cube—straight lines, and ninety-degree angles. Hanging Structure’s suspended three-dimensional grid, composed of identical, monochromatic units, is emblematic of this interest.
In contrast, Terence Koh, inspired by queer, punk, and DIY cultures, belongs to a 1990s generation whose work is more personally inflected. Embracing decay and ephemerality, Untitled (Vitrines) displays whitewashed objects collected from friends, lovers, Koh’s childhood, and flea markets, acting almost as a shrine preserving relics from his life. The sculpture departs significantly from LeWitt’s strict vision yet engages with the legacies of Minimalism and Conceptual art, exploring the possibilities of the grid and the monochrome and extending those formal considerations into the personal realm.
MEDIUM
Wood, pigment
DATES
1993
DIMENSIONS
192 x 36 x 36 in. (487.7 x 91.4 x 91.4 cm)
Other (Component No. 2): 96 x 36 x 36 in. (243.8 x 91.4 x 91.4 cm)
(show scale)
ACCESSION NUMBER
2016.35
CREDIT LINE
Gift of Jill and Jay Bernstein
MUSEUM LOCATION
This item is not on view
CAPTION
Sol LeWitt (American, 1928–2007). Hanging Structure, 1993. Wood, pigment, 192 x 36 x 36 in. (487.7 x 91.4 x 91.4 cm). Brooklyn Museum, Gift of Jill and Jay Bernstein, 2016.35. © artist or artist's estate (Photo: Image courtesy of the donor, CUR.L2011.2_view4_donor_photograph.jpg)
IMAGE
installation,
CUR.L2011.2_view4_donor_photograph.jpg. Image courtesy of the donor
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RIGHTS STATEMENT
© artist or artist's estate
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Why are these paired?
I love the juxtaposition of those two works. Both have grid-like formats but the Terence Koh is so individual and emotional, filled with objects that have personal meaning for him, while the Sol LeWitt is purely conceptual and makes us think about space and volume in an almost mathematical way.