'Elvis' Mask for Nyau Society
Brooklyn Museum photograph
Object Label
ART OF SATIRE
Masks are particularly useful for expressing disapproval and thus reinforcing communal values. These two masks performed instructional and critical messages about proper behavior and political discontent.
Male Yoruba dancers wear gelede masks at festivals honoring the women of the community. Gelede often serves as a showcase for artistic innovation, with its masks depicting motifs that are both entertaining and critical. This mask depicts a French gendarme, a colonial soldier, and was most likely performed as a critique of French personal and political behavior during the colonial period.
The mask depicting Elvis Presley belonged to the Nyau society (to which all Chewa men belong), an institution that governs the spiritual realm of death and the ancestors. The society’s masks always represent the spirits of the deceased, but they may also represent wild bush spirits or caricature personalities from the wider community. Outsiders—including Swahili slave traders, British officials, the Virgin Mary, and other iconic foreigners such as Elvis Presley— have been considered representative of antisocial traits and undesirable values.
Caption
Chewa. 'Elvis' Mask for Nyau Society, ca. 1977. Wood, paint, fiber, cloth, 11 x 9 1/2 x 7 1/4 in. (27.9 x 24.1 x 18.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. J. Gordon Douglas III, Frederick E. Ossorio, and Elliot Picket, by exchange and Designated Purchase Fund, 2010.41. Creative Commons-BY (Photo: Brooklyn Museum, 2010.41_PS6.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Culture
Title
'Elvis' Mask for Nyau Society
Date
ca. 1977
Geography
Place made: Central or Southern Region, Malawi
Medium
Wood, paint, fiber, cloth
Classification
Dimensions
11 x 9 1/2 x 7 1/4 in. (27.9 x 24.1 x 18.4 cm)
Credit Line
Gift of Mr. and Mrs. J. Gordon Douglas III, Frederick E. Ossorio, and Elliot Picket, by exchange and Designated Purchase Fund
Accession Number
2010.41
Rights
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Have information?
Have information about an artwork? Contact us at