Paul Howard Manship (American, 1885–1966). <em>Vivian St. George and Her Dog</em>, 1924. Bronze, parcel gilt, 43 1/2 × 24 × 16 in. (110.5 × 61 × 40.6 cm). Brooklyn Museum, Gift of the American Art Council and Dick S. Ramsay Fund, 2008.68. © artist or artist's estate (Photo: Brooklyn Museum, 2008.68_PS2.jpg)

Paul Howard Manship (American, 1885–1966). Vivian St. George and Her Dog, 1924. Bronze, parcel gilt, 43 1/2 × 24 × 16 in. (110.5 × 61 × 40.6 cm). Brooklyn Museum, Gift of the American Art Council and Dick S. Ramsay Fund, 2008.68. © artist or artist's estate (Photo: Brooklyn Museum, 2008.68_PS2.jpg)

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Can you tell me why these two art works were paired to be shown next to each other?

That's a great question, our curators have teamed up to combine fine arts (painting, sculpture) with decorative arts (furniture, household objects) in the galleries. These two works are close in date, the Manship sculpture is 1924, and the Frankl piece is late 1920s. They are both associated with the Art Deco, or Art Moderne, movement and they use streamlined forms and fine materials.

That makes sense because even though they look really different they sort of feel similar. Thanks!

The Frankl piece is inspired by 1920s skyscraper architecture, and Manship was looking back to ancient Greek sculpture but they were both interested in smooth contours and surfaces.

Why is she considered a goddess?

Paul Manship is depicting this girl as the goddess Diana from Roman mythology. Diana was goddess of the hunt, which is why you see her with arrows.

And the dog?

The goddess Diana was known to be able to communicate with animals and control them so maybe that is an allusion as well.

Wow. That's cool.

Vivian St. George was the daughter of an Irish artist and an American heiress who were friends of Manship, and here he's indirectly comparing her to Diana. Perhaps he saw Vivian as pure and graceful, like the goddess was supposed to be.

Vivian St. George and Her Dog

Paul Howard Manship

American Art

On View: American Art Galleries, 5th Floor, Witness

This sculpture of a young girl, posed as the young goddess Diana with her dog and bow and arrows, demonstrates how Paul Manship sought to meld ideal form inspired by classical Greek and Roman sculpture with a distinctly modern simplicity. He exercised careful control in forming the regularized volumes and polished surface, and added a touch of delicacy with the gilt detailing on the costume and hair. Vivian St. George was the only child of the Irish painter Sir William Orpen and the married American heiress Evelyn St. George. Manship received the portrait commission through his friend the American painter John Singer Sargent, with whom he lived briefly in London in the early 1920s.

ARTIST Paul Howard Manship, American, 1885–1966

MEDIUM Bronze, parcel gilt

DATES 1924

DIMENSIONS 43 1/2 × 24 × 16 in. (110.5 × 61 × 40.6 cm) mount: 44 × 23 × 14 in. (111.8 × 58.4 × 35.6 cm) (show scale)

COLLECTIONS American Art

ACCESSION NUMBER 2008.68

CREDIT LINE Gift of the American Art Council and Dick S. Ramsay Fund

PROVENANCE 1924, commissioned from the artist by Evelyn Baker St. George of London, England; between 1924 and 1950, provenance not yet documented; before 1950, acquired by Basil Bloomer of London; 1950, inherited from Basil Bloomer by Kathleen Mary Bloomer Marshall of Exford, England; 2006, inherited from Kathleen Mary Bloomer Marshall by Basil Charles Marshall; December 11, 2008, purchased from Basil Charles Marshall at Sotheby's New York, by the Brooklyn Museum.

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EXHIBITIONS

MUSEUM LOCATION This item is on view in American Art Galleries, 5th Floor, Witness

CAPTION Paul Howard Manship (American, 1885–1966). Vivian St. George and Her Dog, 1924. Bronze, parcel gilt, 43 1/2 × 24 × 16 in. (110.5 × 61 × 40.6 cm). Brooklyn Museum, Gift of the American Art Council and Dick S. Ramsay Fund, 2008.68. © artist or artist's estate (Photo: Brooklyn Museum, 2008.68_PS2.jpg)

IMAGE overall, 2008.68_PS2.jpg. Brooklyn Museum photograph, 2009

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