Object Label

On the island of Ambrym, masked performance is controlled by a complex system of copyright. Rights to the knowledge of mask and costume construction, as well as rights to perform them, must be purchased from the man who owns a mask’s copyright, and often only by men of certain ranks.

This rom mask was never meant to be seen as an isolated sculpture and cannot be fully understood without the dynamic costume, the performer’s movement, the accompanying music, and the audience’s response. Rom masks are typically adorned with feathers, barkcloth, leaves, hair, and other materials and are worn atop a costume of banana leaves. Each mask represents a specific ancestor spirit and would be performed publicly to show off a man’s newly achieved right to wear it.

Caption

Ambrym. Mask (Rom), 19th–20th century. Wood, pigment, plant fibers, 21 × 11 1/4 × 7 1/2 in. (53.3 × 28.6 × 19.1 cm). Brooklyn Museum, Gift of Altria, 2008.26.5. Creative Commons-BY

Gallery

Not on view

Culture

Ambrym

Title

Mask (Rom)

Date

19th–20th century

Medium

Wood, pigment, plant fibers

Classification

Masks

Dimensions

21 × 11 1/4 × 7 1/2 in. (53.3 × 28.6 × 19.1 cm)

Credit Line

Gift of Altria

Accession Number

2008.26.5

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • I find this to be very similar to modern cubist art.

    and this too!
    Well that would be because cubists, Picasso in particular, did draw inspiration from North African masks and the arts of the Pacific Islands.
    These masks come from two cultural groups of Vanuatu, a series of islands in Melanesia in the Pacific ocean. Though perhaps aesthetically similar, the works of a cubist painter and these masks serve drastically different purposes.
    The first example you sent me for example was used in rituals tied to important life events, namely circumcision. The four faces represent the mythical woman Nevimbumbao and her children.

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