Robin, #43, Oakland, CA
Lise Sarfati
Photography
Adolescence has become ubiquitous subject matter in contemporary photography. Whether it is the awkwardness of Rineke Dijkstra’s gangly prepubescents or the sexuality, malaise, and dysfunction depicted by Larry Clark, the worlds of adolescents and teenagers seem to have been exhaustively described.
While Lise Sarfati continues to mine this rich vein of subject matter, she evokes a slightly different tone. In her first book of photographs, Acta Est, she documented the dark, emotional territory of wayward youth in post-Soviet Russia. Robin, #43, Oakland, CA is from her subsequent project, titled The American Series. Published in book form as The New Life, the series comprises images of young people from Texas, Georgia, North Carolina, Oregon, and California. Directionless, dispossessed, and dejected, these young people (mainly young women) appear ghost-like and unattached to their surroundings. Sarfati’s subjects transcend their social, political, or cultural categories; as carriers of individual, as well as universal, psychological states, they represent the interstitial space between inertia and movement.
In Robin, #43, Oakland, CA, the young woman gazes into a backyard hidden from view. Framed by the intersecting lines of backyard fences bathed in a saturated cyan light, Robin may sit firmly on her home soil, but she is emotionally unmoored from it.
While Lise Sarfati continues to mine this rich vein of subject matter, she evokes a slightly different tone. In her first book of photographs, Acta Est, she documented the dark, emotional territory of wayward youth in post-Soviet Russia. Robin, #43, Oakland, CA is from her subsequent project, titled The American Series. Published in book form as The New Life, the series comprises images of young people from Texas, Georgia, North Carolina, Oregon, and California. Directionless, dispossessed, and dejected, these young people (mainly young women) appear ghost-like and unattached to their surroundings. Sarfati’s subjects transcend their social, political, or cultural categories; as carriers of individual, as well as universal, psychological states, they represent the interstitial space between inertia and movement.
In Robin, #43, Oakland, CA, the young woman gazes into a backyard hidden from view. Framed by the intersecting lines of backyard fences bathed in a saturated cyan light, Robin may sit firmly on her home soil, but she is emotionally unmoored from it.
MEDIUM
Chromogenic print
DATES
2003
DIMENSIONS
Sheet: 16 x 21 in. (40.6 x 53.3 cm) (show scale)
COLLECTIONS
Photography
ACCESSION NUMBER
2006.64.2
CREDIT LINE
Gift of Kenneth H. Schweber
MUSEUM LOCATION
This item is not on view
CAPTION
Lise Sarfati (French, born 1958). Robin, #43, Oakland, CA, 2003. Chromogenic print, Sheet: 16 x 21 in. (40.6 x 53.3 cm). Brooklyn Museum, Gift of Kenneth H. Schweber, 2006.64.2. © artist or artist's estate (Photo: Brooklyn Museum, 2006.64.2_PS2.jpg)
EDITION
Edition: 2/10
IMAGE
overall, 2006.64.2_PS2.jpg. Brooklyn Museum photograph, 2008
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RIGHTS STATEMENT
© Lise Sarfati
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