![Vija Celmins (American and Latvian, born 1938). <em>[Untitled] Web #3</em>, 2002. One color aquatint/drypoint, Sheet: 20 1/8 x 24 3/16 in. (51.1 x 61.4 cm). Brooklyn Museum, Gift of Dr. and Mrs. Frank L. Babbott, Jr., by exchange, 2003.35. © artist or artist's estate (Photo: Brooklyn Museum, 2003.35.jpg)](https://d1lfxha3ugu3d4.cloudfront.net/images/opencollection/objects/size2/2003.35.jpg)
[Untitled] Web #3
Vija Celmins
Contemporary Art
Vija Celmins derives many of her images from photographs and is particularly interested in translating three-dimensional scenes to two-dimensional surfaces. Internationally known for her intensely realistic renditions of natural environments, the artist here also conveys a sense of abstraction and illusion. Celmins recently turned her attention to spiderwebs after making images of bodies of water, skies, and sandy deserts for many years. “Maybe I identify with the spider,” she once stated. “I’m the kind of person who works on something forever and then works on the same image again the next day.”
MEDIUM
One color aquatint/drypoint
DATES
2002
DIMENSIONS
Sheet: 20 1/8 x 24 3/16 in. (51.1 x 61.4 cm)
Image: 15 x 19 in. (38.1 x 48.3 cm) (show scale)
MARKINGS
Embossed lower right with Gemini chop
SIGNATURE
Signed and dated lower right in graphite: "V. Celmins '02"
COLLECTIONS
Contemporary Art
ACCESSION NUMBER
2003.35
CREDIT LINE
Gift of Dr. and Mrs. Frank L. Babbott, Jr., by exchange
MUSEUM LOCATION
This item is not on view
CAPTION
Vija Celmins (American and Latvian, born 1938). [Untitled] Web #3, 2002. One color aquatint/drypoint, Sheet: 20 1/8 x 24 3/16 in. (51.1 x 61.4 cm). Brooklyn Museum, Gift of Dr. and Mrs. Frank L. Babbott, Jr., by exchange, 2003.35. © artist or artist's estate (Photo: Brooklyn Museum, 2003.35.jpg)
EDITION
Edition: 27/65
IMAGE
overall, 2003.35.jpg. Brooklyn Museum photograph, 2003
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Vija Celmins
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