Ichikawa Danjuro VII in the role of an Elderly Woodcutter

Utagawa Kunisada (Toyokuni III)

Brooklyn Museum photograph

Object Label

The small scale and delicate printing of this image indicate that it was a private commission, or surimono print. It was created for a poetry club to celebrate the new year; the loosely written inscription on the left is a poem about spring. This was the center image in a trio of prints depicting players in a dance-drama about Kintarō, the boy superhero of Japanese legends. Here, Ichikawa Danjūrō VII, the most prominent Kabuki star of his generation, dons a white wig and wields a giant axe to play an elderly woodcutter, one of the few humans who helped raise young Kintarō as he grew up in the wilderness.

Caption

Utagawa Kunisada (Toyokuni III) Japanese, 1786–1865. Ichikawa Danjuro VII in the role of an Elderly Woodcutter, circa 1828. Woodblock print, shikishiban format; deluxe printing, 6 5/16 x 7 7/8 in. (16 x 20 cm). Brooklyn Museum, Gift of Dr. Eleanor Z. Wallace in memory of her husband, Dr. Stanley L. Wallace, 2002.121.6. No known copyright restrictions (Photo: Brooklyn Museum, 2002.121.6_IMLS_PS3.jpg)

Gallery

Not on view

Collection

Asian Art

Title

Ichikawa Danjuro VII in the role of an Elderly Woodcutter

Date

circa 1828

Period

Edo Period

Geography

Place made: Japan

Medium

Woodblock print, shikishiban format; deluxe printing

Classification

Print

Dimensions

6 5/16 x 7 7/8 in. (16 x 20 cm)

Signatures

Signed: "Gototei Kunisada ga"

Inscriptions

Poem reads: Crossing over hills Passing through valleys, even when just a chick the bush warbler was drawn to the spring breeze. Signed Fukutokyo of Kawagoe

Markings

Sealed: Toshidama (double loop below signature, LR corner: this is two otoshidama parcels, which are coins wrapped in cloth, given to children at New Years). Poetry Club: Shipporen (red seal UR corner)

Credit Line

Gift of Dr. Eleanor Z. Wallace in memory of her husband, Dr. Stanley L. Wallace

Accession Number

2002.121.6

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Have information?

Have information about an artwork? Contact us at

bkmcollections@brooklynmuseum.org.