Kachina Doll (Ahuta Shelowa)
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Caption
A:shiwi (Zuni Pueblo). Kachina Doll (Ahuta Shelowa), late 19th century. Feathers, fur, yarn, cloth, hide, wood, string, pigment, nails, (40.0 x 10.1 x 12.8 cm) without feathers: (39.2 cm H). Brooklyn Museum, Museum Expedition 1903, Museum Collection Fund, 03.325.4622. Creative Commons-BY (Photo: Brooklyn Museum, 03.325.4622_bw.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Culture
Title
Kachina Doll (Ahuta Shelowa)
Date
late 19th century
Medium
Feathers, fur, yarn, cloth, hide, wood, string, pigment, nails
Classification
Dimensions
(40.0 x 10.1 x 12.8 cm) without feathers: (39.2 cm H)
Credit Line
Museum Expedition 1903, Museum Collection Fund
Accession Number
03.325.4622
Rights
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Frequent Art Questions
What type of wood and paint is used in these?
Cottonwood root is the most common wood used in kachina figures. Another wood sometimes used is pinon wood.The type of paint most likely varies, depending on the age of the piece. The newer the figure is, the more likely that the paints are commercial paints (purchased), but in older pieces, the colors were made from plant and mineral pigments.
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