Male Figure Pendant
Arts of the Americas
While we do not know the significance of the figures on these gold pendants, the mixture of human and animal attributes suggests a mythical and supernatural universe. The ornaments were worn on necklaces, perhaps by political and religious leaders who recognized and valued their symbolism. The representations of anthropomorphic animals may allude to the transformative powers of shamans or their spirit helpers as they journey to supernatural realms.
Aunque no conocemos el significado de las figuras en estos pendientes de oro, la mezcla de atributos humanos y animales sugiere un universo mítico y sobrenatural. Los ornamentos eran llevados en collares, quizás por líderes políticos y religiosos que reconocían y valoraban su simbolismo. Las representaciones de animales antropomórficos pueden aludir a los poderes transformadores de los chamanes o de sus ayudantes espirituales en sus viajes a los reinos sobrenaturales.
MEDIUM
Cast gold
DATES
900–1500 CE
PERIOD
Late Period
DIMENSIONS
4 1/8 x 2 3/8 x 7/8 in. (10.5 x 6.0 x 2.2 cm)
(show scale)
ACCESSION NUMBER
2001.28.2
CREDIT LINE
Gift of the Estate of Alice M. Kaplan
MUSEUM LOCATION
This item is not on view
CAPTION
Cauca. Male Figure Pendant, 900–1500 CE. Cast gold, 4 1/8 x 2 3/8 x 7/8 in. (10.5 x 6.0 x 2.2 cm). Brooklyn Museum, Gift of the Estate of Alice M. Kaplan, 2001.28.2. Creative Commons-BY (Photo: Brooklyn Museum, 2001.28.2_view1_bw.jpg)
IMAGE
front, 2001.28.2_view1_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.
On the label for this work it says it was made by a Cauca artist. To which pre-Columbian culture does this art piece belong?
Not much is known about the peoples of the Cauca River Valley who produced Popayán style gold pendants like this one. We don't know which smaller or more specific group this object comes from or if it represents it's own distinct Popayán culture.
Ok, thank you.