The Cellist

Brooklyn Museum photograph
Object Label
The American expatriate Edwin Lord Weeks, like many nineteenth-century European artists, was known for his “exotic” North African and Middle Eastern subjects. However, he also undertook paintings based on three extended visits to India (in 1882, 1886, and 1892). In these works, Weeks’s talent for the dynamic transcription of brilliant light and color allowed him to represent foreign subjects in a picturesque way that appealed to Western audiences. Here, he offered the colorful, if weathered, tiled facade of a mosque as a diverting counterpoint to the subject of two armed men in conversation with an old man in a dhoti (a traditional Indian garment).
Caption
Max Weber American, born Russia, 1881–1961. The Cellist, 1917. Oil on canvas, 16 1/8 x 20 1/8in. (41 x 51.1cm) Frame: 28 1/2 x 24 1/2 x 2 1/4 in. (72.4 x 62.2 x 5.7 cm). Brooklyn Museum, Gift of Mrs. Edward Rosenberg, 78.267. No known copyright restrictions (Photo: Brooklyn Museum, 78.267_SL1.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
The Cellist
Date
1917
Medium
Oil on canvas
Classification
Dimensions
16 1/8 x 20 1/8in. (41 x 51.1cm) Frame: 28 1/2 x 24 1/2 x 2 1/4 in. (72.4 x 62.2 x 5.7 cm)
Signatures
Signed and dated lower left: MAX WEBER '17
Credit Line
Gift of Mrs. Edward Rosenberg
Accession Number
78.267
Rights
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Have information?
Have information about an artwork? Contact us at