"Orrin, Make Haste, I Am Perishing!"
Winslow Homer
American Art
Regarded as one of the great American Realists of the nineteenth century, Winslow Homer is known primarily for his large body of works in oil and watercolor. However, he also had an early career as a freelance illustrator, making drawings for wood engravings that were reproduced in mass-circulation periodicals such as Harper’s Weekly. In 1998, the Brooklyn Museum received a generous gift of more than 250 wood-engraved illustrations by Homer from Harvey Isbitts.
Homer drew five illustrations for the serialized novel, Beechdale, by Mary Virginia Hawes Terhune (writing under the pseudonym Marion Harland). The novel, featuring the young heroine Jessie, is a romantic tale centering on duty, false love, and moral conflict. Here, Jessie clings desperately to a tree trunk in the chill waters into which she plunged when the rail of the old wooden bridge collapsed under her weight. Moments earlier she had contemplated the bleakness of her situation—engaged to one man (Roy) while attracted to his cousin (Orrin). Now, however, she realizes how precious life is and calls for Orrin to rescue her. The emotional oppressiveness is heightened by the shape of the bridge, which confines Jessie within the compositional space. As in later works, Homer lavished a great deal of attention here on purely abstract passages of the composition such as the reflective and transparent properties of the water.
MEDIUM
Wood engraving
DATES
1868
DIMENSIONS
Image: 4 3/4 x 7 in. (12.1 x 17.8 cm)
Sheet: 5 3/4 x 8 7/8 in. (14.6 x 22.5 cm)
Frame: 15 x 20 x 1 1/2 in. (38.1 x 50.8 x 3.8 cm)
(show scale)
ACCESSION NUMBER
1998.105.115
CREDIT LINE
Gift of Harvey Isbitts
MUSEUM LOCATION
This item is not on view
CAPTION
Winslow Homer (American, 1836â1910). "Orrin, Make Haste, I Am Perishing!," 1868. Wood engraving, Image: 4 3/4 x 7 in. (12.1 x 17.8 cm). Brooklyn Museum, Gift of Harvey Isbitts, 1998.105.115 (Photo: Brooklyn Museum, 1998.105.115_bw.jpg)
IMAGE
overall, 1998.105.115_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.