A Rough Surf
William Trost Richards
American Art
Beginning in the mid-1880s, Richards turned his lifelong fascination with the sea to plein air marine studies in oil on small panels specially cut to fit into his sketch box. He produced hundreds of such seascapes, using free, vigorous brushwork to capture the constantly shifting light, atmosphere, and wave formations along various coasts he visited throughout the Northeast and abroad. Although Richards called these studies the “bare bones” for larger studio compositions, he also exhibited them as works of art in their own right.
MEDIUM
Oil on composition board
DATES
after 1890
DIMENSIONS
8 3/16 x 14 3/8 in. (20.8 x 36.5 cm)
(show scale)
ACCESSION NUMBER
75.12.1
CREDIT LINE
Edith Ballinger Price
MUSEUM LOCATION
This item is not on view
CAPTION
William Trost Richards (American, 1833â1905). A Rough Surf, after 1890. Oil on composition board, 8 3/16 x 14 3/8 in. (20.8 x 36.5 cm). Brooklyn Museum, Edith Ballinger Price, 75.12.1 (Photo: Brooklyn Museum, 75.12.1_PS2.jpg)
IMAGE
overall, 75.12.1_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.