Dipaka Raga, Page from a Ragamala Series

Attributed to Mohammed (son of Nur)

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Object Label

In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again.

This painting depicts one of the most famous ragas, Dipaka, which means “oil lamp.” It is perhaps the most passionate and fiery of the ragas, designed to be performed at noon during the summer; it is said that when it is properly performed, it can start fires. The subject is a couple in the midst of a passionate tryst. This depiction at first seems relatively cool; however, if one looks closely, the flames of passion are imprinted on the man’s robe, and his turban ornament—usually a feather—is in fact ablaze.

Caption

Attributed to Mohammed (son of Nur). Dipaka Raga, Page from a Ragamala Series, ca. 1690–1700. Opaque watercolor, gold, and silver on paper, sheet: 9 7/8 x 7 5/8 in. (25.1 x 19.4 cm) image: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm). Brooklyn Museum, Gift of Charlene and S. Sanford Kornblum, 1991.77. No known copyright restrictions (Photo: Brooklyn Museum, 1991.77_IMLS_SL2.jpg)

Gallery

Not on view

Collection

Asian Art

Title

Dipaka Raga, Page from a Ragamala Series

Date

ca. 1690–1700

Geography

Place made: Bikaner, Rajasthan, India

Medium

Opaque watercolor, gold, and silver on paper

Classification

Painting

Dimensions

sheet: 9 7/8 x 7 5/8 in. (25.1 x 19.4 cm) image: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm)

Inscriptions

Verso, in Sanskrit, in black ink, in Devanagari script: Dipaka

Credit Line

Gift of Charlene and S. Sanford Kornblum

Accession Number

1991.77

Rights

No known copyright restrictions

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