James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). You Could Not Watch One Hour With Me (Vous n'avez pu veiller une heure avec moi), 1886–1894. Opaque watercolor over graphite on gray wove paper, Image: 7 11/16 x 11 9/16 in. (19.5 x 29.4 cm). Brooklyn Museum, Purchased by public subscription, 00.159.232 (Photo: Brooklyn Museum, 00.159.232_PS2.jpg)
James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). You Could Not Watch One Hour With Me (Vous n'avez pu veiller une heure avec moi), 1886–1894. Opaque watercolor over graphite on gray wove paper, Image: 7 11/16 x 11 9/16 in. (19.5 x 29.4 cm). Brooklyn Museum, Purchased by public subscription, 00.159.232 (Photo: Brooklyn Museum, 00.159.232_transp5746.jpg)
You Could Not Watch One Hour With Me (Vous n'avez pu veiller une heure avec moi)
James Tissot
European Art
Following the Last Supper, Jesus and the apostles retreat to Gethsemane (an olive grove) on the Mount of Olives. While his disciples rest, Christ prays alone, asking God if it is possible to let his sufferings pass him by, yet reaffirming his commitment to submit to God’s will. Luke writes that an angel comes to strengthen him, though in his anguish Jesus sweats blood, a graphic detail that, unusually, Tissot omits.
While Luke’s account says that Christ receives comfort from the angel, Tissot’s image seems to promise little solace and, indeed, is profoundly different in tone from the earlier watercolor The Angels Came and Ministered to Him. While one angel holds a chalice—the cup of Jesus’ suffering—the others proffer globes with scenes of the Passion to come, including Veronica’s veil, the Crucifixion, and the lamentation of the Virgin Mary.
After his tormented prayer to God, Jesus comes back to his apostles, only to find them asleep (note that Peter’s weapons are cast to one side). Awakening his followers, he rebukes them, urges their vigilance against temptation, and returns to his prayers.
While Luke’s account says that Christ receives comfort from the angel, Tissot’s image seems to promise little solace and, indeed, is profoundly different in tone from the earlier watercolor The Angels Came and Ministered to Him. While one angel holds a chalice—the cup of Jesus’ suffering—the others proffer globes with scenes of the Passion to come, including Veronica’s veil, the Crucifixion, and the lamentation of the Virgin Mary.
After his tormented prayer to God, Jesus comes back to his apostles, only to find them asleep (note that Peter’s weapons are cast to one side). Awakening his followers, he rebukes them, urges their vigilance against temptation, and returns to his prayers.
MEDIUM
Opaque watercolor over graphite on gray wove paper
DATES
1886–1894
DIMENSIONS
Image: 7 11/16 x 11 9/16 in. (19.5 x 29.4 cm)
Sheet: 7 11/16 x 11 9/16 in. (19.5 x 29.4 cm)
Frame: 15 x 20 x 1 1/2 in. (38.1 x 50.8 x 3.8 cm) (show scale)
SIGNATURE
Signed bottom right: "J.J. Tissot"
COLLECTIONS
European Art
ACCESSION NUMBER
00.159.232
CREDIT LINE
Purchased by public subscription
PROVENANCE
1900, purchased from the artist by the Brooklyn Museum.
Provenance FAQ
EXHIBITIONS
MUSEUM LOCATION
This item is not on view
CAPTION
James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). You Could Not Watch One Hour With Me (Vous n'avez pu veiller une heure avec moi), 1886–1894. Opaque watercolor over graphite on gray wove paper, Image: 7 11/16 x 11 9/16 in. (19.5 x 29.4 cm). Brooklyn Museum, Purchased by public subscription, 00.159.232 (Photo: Brooklyn Museum, 00.159.232_PS2.jpg)
IMAGE
overall, 00.159.232_PS2.jpg. Brooklyn Museum photograph, 2007
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