Still Life with Fruit

Severin Roesen

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Object Label

In the mid-nineteenth century, still-life painting underwent a revival in the northeastern United States. Working in a style based on Dutch models, which depicted a multitude of fruits and flowers, Severin Roesen cultivated a popular following with the German community in Pennsylvania. This composition, one of his most elaborate, portrays a grand arrangement of various fruits, a bird’s nest, and a finely painted glass of water, and conveys a sense of wealth and abundance.

Caption

Severin Roesen American, born Germany, ca. 1815–after 1872. Still Life with Fruit, ca. 1860. Oil on canvas, 40 1/16 × 50 1/8 in. (101.7 × 127.3 cm) frame: 48 3/4 × 58 3/4 × 4 3/4 in. (123.8 × 149.2 × 12.1 cm). Brooklyn Museum, Dick S. Ramsay Fund, 67.9. No known copyright restrictions (Photo: Brooklyn Museum, 67.9_PS20.jpg)

Gallery

Not on view

Collection

American Art

Title

Still Life with Fruit

Date

ca. 1860

Medium

Oil on canvas

Classification

Painting

Dimensions

40 1/16 × 50 1/8 in. (101.7 × 127.3 cm) frame: 48 3/4 × 58 3/4 × 4 3/4 in. (123.8 × 149.2 × 12.1 cm)

Signatures

Signed lower right (initials in monogram): "S Roesen"

Credit Line

Dick S. Ramsay Fund

Accession Number

67.9

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Who painted this?

    This work is by Severin Roesen. Rosesen was a German-born and German-trained artist who immigrated to the United States in the 1848. He became known for his still life paintings, and this one is among his most ambitious works. Still life paintings were a favorite way for an artist to showcase his technical skill, and they were also appropriate decorations for a home in mid-1800s America, so they were in demand in the art market of the time.
  • Do the eggs (the only "animal" presence here) have a special meaning?

    Still life paintings often have many allusions to life and bounty, and sometimes to death and decay. We can surmise that the bird's nest is presented to allude to birth and possibility. Images of natural prosperity and fertility were popular as decorations in the homes of affluent American families in the mid-1800s!
    I see! Thank you very much!

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