Tell me more about this, please!
George Copeland Ault was inspired by the urban landscape of New York City from the 1920s onward. In this work, he simplifies shape and form to show New York's architecture.
Ault was associated with Precisionism, which focused on reducing the compositions to their barest, geometric forms. Here Ault does that with the rooftops and skyscrapers of New York. The "mosaic" aspect of the painting's title is very interesting to me. The different geometric shapes of the building do seem to come together in a mosaic-like pattern. Lots of small squares!
Thank you!
What's going on here?
I love the title of this work because it makes me think about the view frommy own window in a different way. Ault's flattened and sharply defined approach to painting led scholars to call him a "Precisionist."
The longer you look at this, the spookier it gets. There are no human inhabitants in this version Manhattan and there is only tiny patch of sky, making it all feel a bit dismal.
The George Ault painting would fit really well in the current show on Machines I saw in San Francisco. Why don’t I see your collection more? Does Brooklyn not loan artwork?
We do loan work often, actually! We even lent a different work to that very show. When it comes to loaning an individual work, the process is almost always initiated by whoever is curating the show.
In this case of this particular painting, either the curator did not ask to include it or there was some reason it could not travel.