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About this Brooklyn Icon

The Brooklyn Museum is commemorating its 200th anniversary by spotlighting 200 standout objects in its encyclopedic collection.

Mahogany furniture was the epitome of 18th-century high style and luxury. Such pieces were valued not only for the wood’s beauty and its ability to be carved into complex forms, but also its durability and resistance to insects and rot. Fabricated from the finest mahogany in a Mexican cabinet-making workshop, this chair was destined for the sitting room of a wealthy white Spanish colonist. To convey affluence and status, the owner would have wanted the most stylish European designs. The chair’s quintessentially European origins are seen in the curved legs, ball-and-claw front feet, rounded back with a lace-like frill, and overall solidity and restraint.

This chair’s mahogany was harvested in Honduras or Santo Domingo, Dominican Republic. In fact, the majority of the mahogany used for such furniture came from solid blocks or planks of wood from old-growth trees found in the Caribbean. The wood was harvested and processed by enslaved labor, overseen by white settler colonists. By the early 19th century, mahogany had been over-harvested. Cabinetmakers turned to fabricating chair and table legs, seat backs, and tabletops from local woods covered in thin veneers, or layers of wood.

Object Label

Prosperous men and women, often European or of European descent, derived great fortunes from the natural and human resources of the Americas. Furniture produced in expensive mahogany, often reinterpreting fashionable European designs, conveyed social status and wealth.

Caption

Armchair, 1750–1800. Mahogany, upholstery, 40 1/4 x 25 1/4 x 17 3/4in. (102.2 x 64.1 x 45.1cm) . Brooklyn Museum, Gift of Robert W. Dowling, 64.243.6. Creative Commons-BY (Photo: Brooklyn Museum, 64.243.6_PS11.jpg)

Gallery

Not on view

Title

Armchair

Date

1750–1800

Geography

Place manufactured: Mexico

Medium

Mahogany, upholstery

Classification

Furniture

Dimensions

40 1/4 x 25 1/4 x 17 3/4in. (102.2 x 64.1 x 45.1cm)

Signatures

no signature

Inscriptions

no inscriptions

Markings

no marks

Credit Line

Gift of Robert W. Dowling

Accession Number

64.243.6

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • What style is this?

    The style of this chair is called "Chippendale" and was popular in that the end of the 1700s in the North American colonies. My favorite aspect of the Chippendale chair is the ball-and-claw foot that you see at the bottom of the front two legs. Another characteristic of Chippendale furniture is the S-curves curves in the carved back and in the shape of the front legs. You'll notice that the chair next to it was made around the same time, but in a different place. And the two portraits behind them have a similar relationship: they're close in date, but one was made in Philadelphia and one was made in Peru. This Spanish Colonial chair is on the same platform as a chair made in the Philadelphia. On the wall behind it hang two portraits, one from Philadelphia and one from Peru.

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