Brooklyn Museum photograph

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Object Label

The design on this tunic is referred to as the “Inca key checkerboard” pattern, and it is one of five standardized tunic styles produced by specialized Inca weavers. In order to guarantee a supply of fine textiles, the Inca incorporated camelid herding and textile production into a state policy, setting up weaving workshops and collecting labor taxes (mit’a) in the form of woven garments and other requisite products.

The detailed embroidery on each side of this tunic and the zigzag across the hem were probably added after the garment was woven, to elevate the tunic, and the person wearing it, to a higher status.

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El diseño presente en esta túnica se conoce como “tablero de ajedrez con motivo de llave inca,” y es uno de los cinco estilos de túnicas estandarizados, producido por tejedores incas especializados. Para garantizar un suministro de textiles de alta calidad, los incas convirtieron el pastoreo de camélidos en política de estado, establecieron talleres y dispusieron impuestos sobre el trabajo (mit’a), bajo la forma de prendas de vestir tejidas y otros productos requeridos.

El minucioso bordado a cada lado de esta túnica y el zigzag a través del dobladillo fueron probablemente añadidos luego de haber tejido la prenda, para elevar la túnica y la persona que la lleva, a un estatus más elevado.

Caption

Inca. Tunic, 1400–1532. Textile. Camelid fiber, 33 7/8 x 29 1/8 in. (86 x 74 cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.224.133. Creative Commons-BY

Gallery

Not on view

Culture

Inca

Title

Tunic

Date

1400–1532

Medium

Textile. Camelid fiber

Classification

Clothing

Dimensions

33 7/8 x 29 1/8 in. (86 x 74 cm)

Credit Line

Gift of the Ernest Erickson Foundation, Inc.

Accession Number

86.224.133

Rights

Creative Commons-BY

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