Kumano Junisha Shrine, Tsunohazu, No. 50 in One Hundred Famous Views of Edo

Brooklyn Museum photograph
Object Label
Described by one writer as “the very poet of landscape,” Jean-Baptiste-Camille Corot captured serene prospects bathed in soft silvery light. He frequently painted, and stayed at, his family’s property in Ville d’Avray, in the countryside west of Paris. Here, he surveys the reedy edge of a pond, a glimpse of several buildings, and his characteristically wispy trees, all under an expanse of cloudy sky. Small figures are portrayed as part of the natural rhythms of rural life. Although he would have completed such a painting in his studio, Corot’s initial vantage point was directly behind the man he depicts cutting rushes in the foreground, subtly calling attention to the artist’s own labor taking place in the same space.
Caption
Utagawa Hiroshige Japanese, 1797–1858. Kumano Junisha Shrine, Tsunohazu, No. 50 in One Hundred Famous Views of Edo, 7th month of 1856. Woodblock print, Sheet: 14 3/16 x 9 3/16 in. (36 x 23.3 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.50. No known copyright restrictions (Photo: Brooklyn Museum, 30.1478.50_PS20.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Kumano Junisha Shrine, Tsunohazu, No. 50 in One Hundred Famous Views of Edo
Date
7th month of 1856
Period
Edo Period, Ansei Era
Geography
Place made: Japan
Medium
Woodblock print
Classification
Dimensions
Sheet: 14 3/16 x 9 3/16 in. (36 x 23.3 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm)
Signatures
Hiroshige-ga
Markings
No publisher's seal visible, probably lost when left margin was trimmed. Seals in top margin: date seal and censor seal.
Credit Line
Gift of Anna Ferris
Accession Number
30.1478.50
Rights
No known copyright restrictions
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