Kumano Junisha Shrine, Tsunohazu, No. 50 in One Hundred Famous Views of Edo

Utagawa Hiroshige

Brooklyn Museum photograph

Object Label

Described by one writer as “the very poet of landscape,” Jean-Baptiste-Camille Corot captured serene prospects bathed in soft silvery light. He frequently painted, and stayed at, his family’s property in Ville d’Avray, in the countryside west of Paris. Here, he surveys the reedy edge of a pond, a glimpse of several buildings, and his characteristically wispy trees, all under an expanse of cloudy sky. Small figures are portrayed as part of the natural rhythms of rural life. Although he would have completed such a painting in his studio, Corot’s initial vantage point was directly behind the man he depicts cutting rushes in the foreground, subtly calling attention to the artist’s own labor taking place in the same space.

Caption

Utagawa Hiroshige Japanese, 1797–1858. Kumano Junisha Shrine, Tsunohazu, No. 50 in One Hundred Famous Views of Edo, 7th month of 1856. Woodblock print, Sheet: 14 3/16 x 9 3/16 in. (36 x 23.3 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.50. No known copyright restrictions (Photo: Brooklyn Museum, 30.1478.50_PS20.jpg)

Gallery

Not on view

Collection

Asian Art

Title

Kumano Junisha Shrine, Tsunohazu, No. 50 in One Hundred Famous Views of Edo

Date

7th month of 1856

Period

Edo Period, Ansei Era

Geography

Place made: Japan

Medium

Woodblock print

Classification

Print

Dimensions

Sheet: 14 3/16 x 9 3/16 in. (36 x 23.3 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm)

Signatures

Hiroshige-ga

Markings

No publisher's seal visible, probably lost when left margin was trimmed. Seals in top margin: date seal and censor seal.

Credit Line

Gift of Anna Ferris

Accession Number

30.1478.50

Rights

No known copyright restrictions

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