Seido and Kanda River From Shohei Bridge, No. 47 from One Hundred Famous Views of Edo

Brooklyn Museum photograph
Object Label
While Western collectors value the visual impact of power figures, the ultimate importance of these sculptures to the Songye lies in their effectiveness as protectors of the community from malevolent forces and disease. The power of such figures depends on their ingredients (bishimba), concealed in the abdominal cavity, in the top of the head, or in a horn set into the cranium (missing from this piece). These hidden substances acquire potency and interact with the spirit world when assembled by the nganga, or ritual practitioner.
Caption
Utagawa Hiroshige Japanese, 1797–1858. Seido and Kanda River From Shohei Bridge, No. 47 from One Hundred Famous Views of Edo, 9th month of 1857. Woodblock print, 14 1/4 x 9 5/16in. (36.2 x 23.7cm) Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.47. No known copyright restrictions (Photo: Brooklyn Museum, 30.1478.47_PS20.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Seido and Kanda River From Shohei Bridge, No. 47 from One Hundred Famous Views of Edo
Date
9th month of 1857
Period
Edo Period, Ansei Era
Geography
Place made: Japan
Medium
Woodblock print
Classification
Dimensions
14 1/4 x 9 5/16in. (36.2 x 23.7cm) Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm)
Signatures
Hiroshige-ga
Markings
Seals in top margin: date seal and censor seal. No publisher's seal visible probably lost when left margin was trimmed.
Credit Line
Gift of Anna Ferris
Accession Number
30.1478.47
Rights
No known copyright restrictions
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