New Fuji, Meguro, No. 24 in One Hundred Famous Views of Edo
Utagawa Hiroshige
Asian Art
This view documents the late Edo practice of constructing miniature replicas of Mount Fuji. The first such mini-Fuji was constructed in 1779 by a practitioner of Fujikō, a popular religion that worshipped the famed mountain as a god. The idea was to provide a chance to climb Mount Fuji for those normally unable to do so. The mini-Fuji in the foreground was built in 1819. A zigzag path along the slope mimics the switchback route up the real mountain.
MEDIUM
Woodblock print
DATES
4th month of 1857
PERIOD
Edo Period, Ansei Era
DIMENSIONS
Image: 13 7/16 x 9 in. (34.1 x 22.9 cm)
Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm)
(show scale)
MARKINGS
No publisher's seal visible, probably lost when left edge was trimmed.
SIGNATURE
Hiroshige-ga
ACCESSION NUMBER
30.1478.24
CREDIT LINE
Gift of Anna Ferris
PROVENANCE
Prior to 1930, provenance not yet documented; by 1930, acquired by Anna Ferris of Summit, NJ; 1930, gift of Anna Ferris to the Brooklyn Museum.
Provenance FAQ
CATALOGUE DESCRIPTION
View of a mini-Fuji built in 1829 on the estate of a shogunal retainer named KondoIuzo, well known for his exploration of the northern island of Hokkaido. It was a late Edo practice to construct miniature replicas of Mount Fuji. The first such mini-Fuji was built in 1779 in Takata (now the site of Waseda University) by a practitioner of Fujiko, a popular religion that worshipped Mount Fuji as a transcendent god. The miniature replicas enabled women, children, the elderly and infirm to climb Fuji. The mountain shown in this print is smoother than most mini-Fujis, which were generally built of rough lava transported from Mount Fuji itself and the zigzag path mimicked the route up the real mountain. The Kondo Fuji came to be known as the "New Fuji," in distinction to the early mini-Fuji nearby, (shown in the following print). Known as a religious site it was also a pleasure spot, for the splendid view it offered of the real Mount Fuji, shown in the distance. The stream below is the Mita Aqueduct, which ran along the bluff and around the New Fuji, and the shrine hidden in the trees in the middle distance is the popular Meguro Fuco, probably the destination for visitors stopping off at the mini-Fuji. Seven years after the founding of the New Fuji, Kondo Iuzo's son killed a neighboring farmer and his family in a dispute in a right to sell souvenirs to mini-Fuji visitors, resulting in the disgrace of the Kondo family. The mini-Fuji was leveled in 1965 for the construction of a research institute of KDD, Japan's international telephone and telegraph company. Stone markers from the "New Fuji" are still preserved behind the hedge on the south side of the institute lawn.
MUSEUM LOCATION
This item is not on view
CAPTION
Utagawa Hiroshige (Japanese, 1797–1858). New Fuji, Meguro, No. 24 in One Hundred Famous Views of Edo, 4th month of 1857. Woodblock print, Image: 13 7/16 x 9 in. (34.1 x 22.9 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.24 (Photo: Brooklyn Museum, 30.1478.24_PS20.jpg)
IMAGE
overall, 30.1478.24_PS20.jpg. Brooklyn Museum photograph, 2023
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.