Hatsune Riding Grounds, Bakuro-cho, No. 6 in One Hundred Famous Views of Edo
Brooklyn Museum photograph
Object Label
This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here, on a cushion), emphasizing her humanity and motherhood, as opposed to the Madonna Enthroned, which presents her as the Queen of Heaven.
As was common in other images of this genre, this Madonna is surrounded by cherubim, junior members of the family of angels and often depicted as winged heads. Here, they are painted in silver, whose tarnishing adds to their otherworldly effect. With the expanding and contracting of the wood panel over the past six centuries, a knot in the wood has emerged, pushing forward the area of the panel around the Child’s eye.
Caption
Utagawa Hiroshige Japanese, 1797–1858. Hatsune Riding Grounds, Bakuro-cho, No. 6 in One Hundred Famous Views of Edo, 9th month of 1857. Woodblock print, Image: 13 1/4 x 8 5/8 in. (33.7 x 21.9 cm) Sheet: 14 3/8 x 9 3/16 in. (36.5 x 23.3 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.6. No known copyright restrictions (Photo: Brooklyn Museum, 30.1478.6_PS20.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Hatsune Riding Grounds, Bakuro-cho, No. 6 in One Hundred Famous Views of Edo
Date
9th month of 1857
Period
Edo Period, Ansei Era
Geography
Place made: Japan
Medium
Woodblock print
Classification
Dimensions
Image: 13 1/4 x 8 5/8 in. (33.7 x 21.9 cm) Sheet: 14 3/8 x 9 3/16 in. (36.5 x 23.3 cm)
Signatures
Hiroshige-ga
Markings
No publisher's seal visible, probably lost when left edge was trimmed,
Credit Line
Gift of Anna Ferris
Accession Number
30.1478.6
Rights
No known copyright restrictions
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