Vase with Everted Floriate Rim

Kawase Shinobu

Brooklyn Museum photograph

Brooklyn Museum photograph

1 of 2

Object Label

As the still-life genre became increasingly popular with collectors in the late nineteenth century, artists turned toward what was considered a more masculine subject matter, featuring the trophies of hunting or, as in this composition, pipes, jugs, books, and newspapers. William Michael Harnett’s works were favored by New York businessmen, who enjoyed them for their clever illusionistic style (seen in the way the newspaper juts forward) and their references to masculine pastimes.

Caption

Kawase Shinobu Japanese, born 1950. Vase with Everted Floriate Rim, 1988. Stoneware, Guan-type celadon glaze, 10 1/2 x 11 in. (26.7 x 27.9 cm). Brooklyn Museum, Purchased with funds given by the Mary Livingston Griggs and Mary Griggs Burke Foundation, 1989.55. Creative Commons-BY (Photo: Brooklyn Museum, 1989.55_PS6.jpg)

Gallery

Not on view

Collection

Asian Art

Title

Vase with Everted Floriate Rim

Date

1988

Period

Showa Period

Geography

Place made: Japan

Medium

Stoneware, Guan-type celadon glaze

Classification

Ceramic

Dimensions

10 1/2 x 11 in. (26.7 x 27.9 cm)

Credit Line

Purchased with funds given by the Mary Livingston Griggs and Mary Griggs Burke Foundation

Accession Number

1989.55

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Are Kawase & Fukami Living National Treasures in Japan?

    Neither artist is a Living National Treasure at this time. I'm not aware of any ceramic artist who works in a more contemporary vein like Fukami or Kawase who has earned the designation, though there are Living National Treasures who work in modern forms. The designation is most often given to people who are continuing to refine traditional approaches.
  • Tell me more.

    This vase, made in 1988, uses celadon glaze, a blue-green glaze with a long history in Chinese ceramics.
    The artist was influenced in particular by ceramics produced during the Song dynasty (920-1279), considered a high point in the history of Chinese ceramics.
    You'll notice that this vase has a rim that opens and curves like a flower. Flowers, specifically the lotus, have strong connections to Buddhism as symbols for purity and enlightenment.
  • How does Kawase Shinobu make his pieces? The shapes look too perfect and satisfying to be real.

    I agree! Initially, the clay is turned on a wheel. That contributes significantly to the perfect symmetry. The even application of the glaze also contributes to the smoothness of the surface.

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