Engraved Whale Tooth
Arts of the Americas
On View: American Art Galleries, 5th Floor, Trouble the Water
These two engraved objects, a walrus tusk and a sperm whale tooth, encapsulate aspects of Indigenous Arctic life, particularly the use of natural materials and the importance of hunting. The tusk is decorated with depictions of men hunting walrus in boats, of village huts, and of women preparing food. The tooth presents a variety of hunting scenes in which men chase a walrus, harpoon a whale, spear a bear, and aim bows and arrows at a caribou. One especially intriguing scene shows three men dancing and holding circular drums.
MEDIUM
Sperm whale tooth, black ash or graphite, oil
DATES
late 19th century
DIMENSIONS
6 1/2 × 3 × 2 in. (16.5 × 7.6 × 5.1 cm)
mount: 6 1/2 × 3 × 1 3/4 in. (16.5 × 7.6 × 4.4 cm)
(show scale)
ACCESSION NUMBER
20.895
CREDIT LINE
Gift of Robert B. Woodward
PROVENANCE
Prior to 1909, provenance not yet documented; by 1909, acquired by Robert Blackburne Woodward of Brooklyn, NY; 1909, gift of Robert Blackburne Woodward to the Brooklyn Museum.
Provenance FAQ
CATALOGUE DESCRIPTION
Sperm whale tooth with engraved images depicting various aspects of hunting, fishing, and daily life. The scenes include animals such as walrus, bears, whales, fishes and dogs. The incised designs are filled with black pigment.
Condition: fair and stable with some material loss towards wide end of the tooth.
CAPTION
Yup'ik or. Engraved Whale Tooth, late 19th century. Sperm whale tooth, black ash or graphite, oil, 6 1/2 × 3 × 2 in. (16.5 × 7.6 × 5.1 cm). Brooklyn Museum, Gift of Robert B. Woodward, 20.895. Creative Commons-BY (Photo: Brooklyn Museum, 20.895_overall01_PS22.jpg)
IMAGE
overall, 20.895_overall01_PS22.jpg. Brooklyn Museum photograph, 2024
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.
Why are three pieces of Alaskan art paired with a piece from Brazil?
Great question! The installation is by theme and use rather than country of origin.
What is the theme for this case?
The theme is talismans and charms. The necklaces may have been worn by a shaman or medicine man. Images of animals on the Tukano necklace from Brazil acknowledges the important relationship between humans and animals. All three pieces are made from natural materials found within these specific regions.
There is a case of musical instruments from different countries nearby that keeps with the concept of themes within the exhibition.
Okay, I'll check that out, thank you!
You're welcome!
