Chair (Akonkromfi)

Asante

Brooklyn Museum photograph

Object Label

The leather seat, extensive use of upholstery tacks, inclined angle of the backrest, and finials of this chair are all based on seventeenth-century European examples. The flourishes on the diagonal arms and the elaborately carved openwork back are baroque. The X-form of the legs suggests a folding chair.

The word akonkromfi means “praying mantis” and probably refers to the articulated form of both the insect and the chair. Chairs such as this are purely ceremonial and indicate prestige. They are used exclusively by Asante chiefs and royalty on state occasions.

Caption

Asante. Chair (Akonkromfi), 19th century. Wood, copper alloy, leather, 32 1/2 x 23 x 27 in. (82.6 x 58.4 x 68.6 cm). Brooklyn Museum, Purchased with funds given by Marcia and John Friede, Dr. and Mrs. Abbott A. Lippman, Mr. and Mrs. Milton F. Rosenthal and Carll H. de Silver Fund, 85.200.2. Creative Commons-BY (Photo: Brooklyn Museum, 85.200.2_bw.jpg)

Gallery

Not on view

Collection

Arts of Africa

Culture

Asante

Title

Chair (Akonkromfi)

Date

19th century

Geography

Place made: Ashanti Region, Ghana

Medium

Wood, copper alloy, leather

Classification

Furniture

Dimensions

32 1/2 x 23 x 27 in. (82.6 x 58.4 x 68.6 cm)

Credit Line

Purchased with funds given by Marcia and John Friede, Dr. and Mrs. Abbott A. Lippman, Mr. and Mrs. Milton F. Rosenthal and Carll H. de Silver Fund

Accession Number

85.200.2

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Can you tell me a bit about these two chairs?

    The goal of this installation is to showcase how European conceptions of chair have influenced and are influenced by African and non-Western seat design. As well as the cross cultural importance implied by sitting in a chair. Often times you'll see only the most important person in a room gets to sit in a chair -- to the left you'll see an American example and to the right you'll see an Asante example.
    For the Asante , chairs and stools play a key role in stately regalia. Based on European furniture forms this type of chair represents the stability and commitment of a chief or king. The two finials on the top rear of the char are thought to represent an eagle’s talons and further reference to power of the seated individual. I personally love the highly ornamental use of the brass tacks. Kings and court officials had to sit in a highly prescribed symmetrical pose to embody stately grace and composure.
    As you may have read on the label the American Wainscot Chair was intended for the most important person in the house -- and also took comfort second to the appearance of power and grace.
  • Can you tell me more about it?

    For the Asante chairs and stools are an important part of royal and stately regalia. Chair designs like this were likely modeled after European designs. Typically only very important members of the royal court would sit in a chair such as this. Many of the details on the chair indicate how important the person sitting here must have been; the elaborate carving paired with the even more elaborate use of brass tacks jump out to me. The artist of this chair had a great eye for proportions!
    Even more interesting the two finials on the top rare of the char, are thought to represent an eagle’s talons and further reference to power of the seated individual.

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