Perfume Bottle
Decorative Arts and Design
MEDIUM
Jade, enamel, seed pearl
DATES
After 1886
DIMENSIONS
a: 2 3/4 x 1 in. (7 x 2.5 cm)
b: 1 1/4 x 1 11/16 x 3 9/16 in. (3.2 x 4.3 x 9 cm) (show scale)
MARKINGS
inside of hinged lid: stamped, "H.W. / 56 A P ," / scratched, "11232".
SIGNATURE
no signature
INSCRIPTIONS
no inscriptions
COLLECTIONS
Decorative Arts and Design
ACCESSION NUMBER
78.129.6
CREDIT LINE
Bequest of Helen Babbott Sanders
MUSEUM LOCATION
This item is not on view
CAPTION
House of Carl Fabergé (1846–1920). Perfume Bottle, After 1886. Jade, enamel, seed pearl, a: 2 3/4 x 1 in. (7 x 2.5 cm). Brooklyn Museum, Bequest of Helen Babbott Sanders, 78.129.6. Creative Commons-BY (Photo: , 78.129.6_78.129.19.jpg)
IMAGE
group, 78.129.6_78.129.19.jpg.
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply).
For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.
If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.
