Morning After
Brooklyn Museum photograph
Caption
Dindga McCannon American, born 1947. Morning After, 1973. Color linocut with oil-based ink, block: 13 1/2 × 19 1/2 in. (34.3 × 49.5 cm) frame: 22 7/8 × 28 7/8 × 1 3/4 in. (58.1 × 73.3 × 4.4 cm) sheet: 16 1/2 × 24 in. (41.9 × 61 cm). Brooklyn Museum, Gift of R.M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harriss, and Emma L. Hyde, by exchange, Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund, 2012.80.30. © artist or artist's estate (Photo: Brooklyn Museum, 2012.80.30_PS20.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Morning After
Date
1973
Medium
Color linocut with oil-based ink
Classification
Dimensions
block: 13 1/2 × 19 1/2 in. (34.3 × 49.5 cm) frame: 22 7/8 × 28 7/8 × 1 3/4 in. (58.1 × 73.3 × 4.4 cm) sheet: 16 1/2 × 24 in. (41.9 × 61 cm)
Signatures
Signed in pencil
Inscriptions
Dated and titled in pencil
Credit Line
Gift of R.M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harriss, and Emma L. Hyde, by exchange, Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund
Accession Number
2012.80.30
Rights
© artist or artist's estate
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Frequent Art Questions
What does this mean?
Like any work of art, this is open to interpretation. I see the nudity of two lovers as speaking to the changes that were happening in the 1970s, during the Sexual Revolution.McCannon was part of a group of women that gathered together to create a supportive community. They addressed really practical concerns, such as watching one another's children so that individual artists could produce work.Hi, I'm a student from PSC and I would like to know more about this work!
Hi! McCannon was part of a group of women that gathered together to create a supportive artistic community. In addition to making art, they addressed really practical concerns, such as watching one another's children so that individual artists could produce work.Like any work of art, this is open to interpretation. We could view the nudity of the two lovers as relevant to the social changes that were happening in the 1970s, during the Sexual Revolution. Take a look at the different textures she is evoking through her technique...the hair, skin, and background all have different looks.Thanks!!In this section of the show, you'll see a lot of art that depicts the bodies of black Americans and gets us to think about identity and relationships.
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