Still Life with Three Castles Tobacco

William Michael Harnett

Brooklyn Museum photograph

Object Label

As the still-life genre became increasingly popular with collectors in the late nineteenth century, artists turned toward what was considered a more masculine subject matter, featuring the trophies of hunting or, as in this composition, pipes, jugs, books, and newspapers. William Michael Harnett’s works were favored by New York businessmen, who enjoyed them for their clever illusionistic style (seen in the way the newspaper juts forward) and their references to masculine pastimes.

Caption

William Michael Harnett (American, 1848–1892). Still Life with Three Castles Tobacco, 1880. Oil on canvas, 10 3/4 x 15 in. (27.3 x 38.1 cm) frame: 17 x 21 x 2 3/4 in. (43.2 x 53.3 x 7 cm). Brooklyn Museum, Dick S. Ramsay Fund, 41.221. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

American Art

Title

Still Life with Three Castles Tobacco

Date

1880

Geography

Place made: United States

Medium

Oil on canvas

Classification

Painting

Dimensions

10 3/4 x 15 in. (27.3 x 38.1 cm) frame: 17 x 21 x 2 3/4 in. (43.2 x 53.3 x 7 cm)

Signatures

Signed lower left (initials in monogram): "W M HARNETT / 1880"

Credit Line

Dick S. Ramsay Fund

Accession Number

41.221

Frequent Art Questions

  • Tell me more.

    William Michael Harnett was an established professional painter in New York who was known for still life paintings of fruit, household objects, and musical instruments.
    Harnett's paintings were particularly popular with successful businessmen who wanted art to decorate their homes. This arrangement of objects, including a pipe, tobacco, and newspaper, would have been associated with a male owner in the 19th century.
  • The texture of the strokes adds a particular 'realness' to the painting, is that characteristic of the artist's work?

    Yes! Harnett looked to 17th century Dutch and Spanish still life painting for inspiration where you can find similar techniques. His highly realistic style, known as trompe l'oeil, meaning "fool the eye", was part of what made his work so popular.
    Thanks for the info!

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