Suzanne Opton (American, born 1954). <em>Soldier: Claxton - 120 days in Afghanistan, Fort Drum, NY</em>, 2005. Inkjet print, 32 × 40 in. (81.3 × 101.6 cm). Brooklyn Museum, Gift of Rudolph DeMasi, by exchange, 2007.24. © artist or artist's estate (Photo: Image courtesy of the artist, CUR.2007.24_artist_photograph.jpg)

Suzanne Opton (American, born 1954). Soldier: Claxton - 120 days in Afghanistan, Fort Drum, NY, 2005. Inkjet print, 32 × 40 in. (81.3 × 101.6 cm). Brooklyn Museum, Gift of Rudolph DeMasi, by exchange, 2007.24. © artist or artist's estate (Photo: Image courtesy of the artist, CUR.2007.24_artist_photograph.jpg)

Suzanne Opton (American, born 1954). Soldier: Claxton - 120 days in Afghanistan, Fort Drum, NY, 2005. Inkjet print, 32 × 40 in. (81.3 × 101.6 cm). Brooklyn Museum, Gift of Rudolph DeMasi, by exchange, 2007.24. © artist or artist's estate (Photo: Photograph courtesy of the artist, 2007.24_Clapton_photo.jpg)

DOWNLOAD

Soldier: Claxton - 120 days in Afghanistan, Fort Drum, NY

Suzanne Opton

Photography

On View:

These two works are part of a large series of soldiers’ portraits by the New York–based photographer Suzanne Opton. Opton photographed Claxton and Mickelson on their return to Fort Drum, New York, from service in Afghanistan and Iraq. Asking each to rest his head on a table, she shot the horizontal face close up, against a dark background. The images of these disembodied heads reveal every pore and blemish, even a wandering eyelash. Psychological portraits more than traditional representations of heroes, the exposed faces seem thoughtful and oddly tranquil, vulnerable in their naked intimacy.

ARTIST Suzanne Opton, American, born 1954

MEDIUM Inkjet print

DATES 2005

DIMENSIONS 32 × 40 in. (81.3 × 101.6 cm) frame: 38 × 46 × 2 in. (96.5 × 116.8 × 5.1 cm) (show scale)

COLLECTIONS Photography

ACCESSION NUMBER 2007.24

CREDIT LINE Gift of Rudolph DeMasi, by exchange

EXHIBITIONS

Burning Down the House: Building a Feminist Art Collection

MUSEUM LOCATION This item is not on view

CAPTION Suzanne Opton (American, born 1954). Soldier: Claxton - 120 days in Afghanistan, Fort Drum, NY, 2005. Inkjet print, 32 × 40 in. (81.3 × 101.6 cm). Brooklyn Museum, Gift of Rudolph DeMasi, by exchange, 2007.24. © artist or artist's estate (Photo: Image courtesy of the artist, CUR.2007.24_artist_photograph.jpg)

EDITION Edition: 1/5

IMAGE overall, CUR.2007.24_artist_photograph.jpg. Image courtesy of the artist

"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org. If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can.

RECORD COMPLETENESS

Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.