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Elizabeth A.Sackler Center for Feminist Art

Boadaceia

(b. circa C.E. 25, Celtic Britain; d. circa C.E. 62, Celtic Britain)

Boadaceia is one of many spellings for the name of the famous warrior queen from Celtic Britain, who ruled during the first century, when the Roman Empire was growing and taking over many of the area’s Celtic tribes. Other spellings of her name include Boudica, Boadicea, Buduica, and Bonduca, though a more popular version is Boadicea, which may be a mistranslation from an original manuscript. The name is thought to come from the Celtic word bouda, which means victory, making the name a Celtic equivalent to the modern name Victoria.

Boudica (this spelling is used in an effort to stay as true as possible to her original Celtic name) was married to Prasutagus, king of the Iceni people, a Celtic tribe living in southeastern England (present-day Norfolk). Prasutagus, following tradition, willed his kingdom to the Roman Empire, with the provision that his two daughters be co-heirs. After his death, the Romans annexed his kingdom as though it were conquered territory. The Iceni people’s property was stolen, and Prasutagus’s family treated as slaves. His widow Boudica was reputed to have been beaten by the Roman soldiers and her two daughters raped.

In the year C.E. 60, the Iceni joined with the Trinovantes, a neighboring people, to revolt against the Romans. They chose Boudica, the popular widow of their beloved king, as their leader. After a series of smaller battles in which Boudica’s troops were victorious, they met the full force of the Roman army. The Roman soldiers were far outnumbered by the rebel Celtic forces, but they were better equipped and defeated Boudica and her army after a long battle, which Boudica commandeered from a chariot with her daughters. Boudica’s army was slaughtered, and it was shortly after this battle that she died.

There are two historical sources on Boudica’s life—one claims she poisoned herself and the other asserts she died from illness. Historical sources note that she was buried with all the pomp and ceremony accorded the funeral of a great leader. Since the discovery of these sources during the Renaissance, the popularity of her legend has grown, and her life continues to be interpreted in popular culture. She is a cultural symbol in Great Britain, as she stands for leadership, strength, and courage against an occupying power.

Boadaceia at The Dinner Party

After researching Boudica, Chicago and her team decided to use powerful Celtic images to represent her as a warrior queen. The patterns on the runner are constructed from felt, which many scholars agree was the first fabric, predating any woven textiles. The felt on the runner was made using the traditional process of compacting wool with water, heat, and pressure. The powerful curvilinear forms encircling the plate “signify both [Boudica’s] personal strength and the Roman encroachment upon her autonomy and power” (Chicago, Embroidering Our Heritage, 80).

On the plate there is a structure similar to Stonehenge, representing the British Isles where her people were from. A stylized golden helmet, also decorated with Celtic patterns, signifies Boudica’s status as a warrior.

Adorning the swirling patterns in the runner are handmade enameled jewels, which could be found on the traditional Celtic jewelry that Boudica would have worn as queen. The embroidered patterns on the runner and in the illuminated letter “B,” were also adapted from designs found on first-century jewelry, shields, and mirrors.

Primary Sources

Tain Bo Cuailnge from The Book of Leinster. Trinity College, Dublin, MS H 2.18. 1160.

Tacitus. Annals, Agricola, Histories.

Translations, Editions, and Secondary Sources

Andrews, Ian. Boudicca’s Revolt. Cambridge, UK and New York: Cambridge University Press, 1972.

Collingridge, Vanessa. Boudica:The Life and Legends of Britain’s Warrior Queen. New York: Overlook Press, 2006.

Fraser, Antonia. Boadicea’s Chariot. London: Weidenfeld & Nicolson, 1988.

Grant, Michael, trans. Tacitus: The Annals of Imperial Rome. 1956; reprint ed., London and New York: Penguin Books, 1996.

Hingley, Richard, and Christina Unwin. Boudica: Iron Age Warrior Queen. London: Hambledon and London, 2005.

Mallory, J. P., ed. Aspects of the Táin. Belfast: December Publications, 1992.

Scott, James M. Boadicea. London: Constable, 1975.

Sealey, Paul R. The Boudican Revolt Against Rome. Buckinghamshire, UK: Shire Publications, 1997.

Webster, Graham. Boudica: The British Revolt Against Rome, AD 60. 1978; reprint ed., London: Routledge, 2000.

Wellesley, Kenneth, trans. Tacitus: The Histories. 1964; reprint ed., London and New York: Penguin Books, 1995.

Judy Chicago (American, b. 1939). The Dinner Party (Boadaceia place setting), 1974–79. Mixed media: ceramic, porcelain, textile. Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. Photograph by Jook Leung Photography

Place Setting Images

<p>Judy Chicago (American, b. 1939). <em>The Dinner Party</em> (Boadaceia plate), 1974–79. Porcelain with overglaze enamel (China paint) and burnished gold, 14 × 14 × 1 3/16 in. (35.6 × 35.6 × 3 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. (Photo: © Donald Woodman)</p>

Judy Chicago (American, b. 1939). The Dinner Party (Boadaceia plate), 1974–79. Porcelain with overglaze enamel (China paint) and burnished gold, 14 × 14 × 1 3/16 in. (35.6 × 35.6 × 3 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. (Photo: © Donald Woodman)

<p>Judy Chicago (American, b. 1939). <em>The Dinner Party</em> (Boadaceia runner), 1974–79. Cotton/linen base fabric, woven interface support material (horsehair, wool, and linen), cotton twill tape, silk, synthetic gold cord, silk thread, handmade wool/felt forms, wool yarn, copper, “jewels,” thread, 52 × 30 1/2 in. (132.1 × 77.5 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago</p>

Judy Chicago (American, b. 1939). The Dinner Party (Boadaceia runner), 1974–79. Cotton/linen base fabric, woven interface support material (horsehair, wool, and linen), cotton twill tape, silk, synthetic gold cord, silk thread, handmade wool/felt forms, wool yarn, copper, “jewels,” thread, 52 × 30 1/2 in. (132.1 × 77.5 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago

<p>Judy Chicago. <em>Drawing for Boadaceia Illuminated Letter on runner</em>, 1977. Mixed media on paper, approx. 9 × 12 in. (22.9 × 30.5 cm). © Judy Chicago. (Photo: © Donald Woodman)</p>

Judy Chicago. Drawing for Boadaceia Illuminated Letter on runner, 1977. Mixed media on paper, approx. 9 × 12 in. (22.9 × 30.5 cm). © Judy Chicago. (Photo: © Donald Woodman)

<p>Judy Chicago (American, b. 1939).<em> The Dinner Party</em> (Boadaceia place setting), 1974–79. Mixed media: ceramic, porcelain, textile. Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. Photograph by Jook Leung Photography</p>

Judy Chicago (American, b. 1939). The Dinner Party (Boadaceia place setting), 1974–79. Mixed media: ceramic, porcelain, textile. Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. Photograph by Jook Leung Photography

Biographical Images

Related Heritage Floor Entries

Web Resources

BBC News : Trying to Rule Britannia

BBC History : Boudicca